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Posts tagged “the sixes

The Sixes Redux – Now Available

The deluxe version of The Sixes has arrived.






Now available:

CD Baby:

The Sixes (Deluxe Version)

This September, we will be releasing a Deluxe Version of “The Sixes” contain the original release, as well as a couple acoustic versions of songs from the EP in addition to the whole release in instrumental format.

1. Turning a Blind Eye
2. E-Motionless
3. Recquiescat
4. The Blackest Skies
5. Lifespan
6. Leave The Light On
7. The Blackest Skies (acoustic)
8. E-Motionless (acoustic)
9. Turning a Blind Eye (acoustic)
10. Turning a Blind Eye (instrumental)
11. E-Motionless (instrumental)
12. Recquiescat / The Blackest Skies (instrumental)
13. Lifespan (instrumental)
14. Leave The Light On (instrumental)

Preview the acoustic version of “The Blackest Skies” here:

A Lasting Impression

Interview with Dead Fish Handshake: A Lasting Impression

—by , June 19, 2013


In time with the re-release of its most recent EP, The Sixes, a bold, hearty breath of polished rock and roll, Dead Fish Handshake are taking their act on tour for the first time. The release marks the beginning of a new chapter in the band’s life, while simultaneously nodding to their origin as an acoustic duo made up of guitarist Rob Ferreira and singer Matt Paul.

With bassist Darren Furman in tow and original drummer Matt Biehl back on board after being out of the band for over a year, the group of NJ and New England rock stalwarts is poised to make the biggest moves of its career.

Two (well, sort of three) releases into their career, the band had a good thing going to start but has showed supreme improvement to this point; something Rob credits in large part to Sevendust guitarist Clint Lowery, whose keen insight into composition proved invaluable during the production of The Sixes. Rob’s insightful chord layering, crafty riff writing and superior Les Paul tone have always led the way for Dead Fish Handshake, but on The Sixes, with the help of Clint, the rest of the group rose to meet him.

On the way back home from a trip to Vintage Vinyl, Rob took a call from The Aquarian to talk about the constant development of Dead Fish Handshake, the genesis of the band’s summer tour and putting together guitar tracks in the studio.

How often do you turn on WSOU and hear Dead Fish Handshake?

Well, I’ve definitely heard it a few times. I listen to WSOU at work online and whenever I get a chance in the car. I’ve heard it a couple times for sure. Every once in a while, I’ll get a text from a buddy of mine saying they’ve heard it. It’s definitely an awesome feeling to hear your song on the radio. That never gets old for me.

What’s the longest tour the band has done?

The most the band has ever done is a three or four-day weekend type of thing.

One of the things that’s real special about what we have in Dead Fish Handshake is that we’ve all been in bands for years. In a few years that we’ve been together, we’ve been able to do a lot of things that we’ve never done in previous bands. That’s a really cool feeling, and it feels good to do it with your friends.

We’re going as far west as Texas. We’re starting Florida. We have a couple dates there. Then we’re running through Mississippi, Louisiana and Texas. That’s as far west as we’re going, but then we shoot up north, through the Dakotas and then back east through Illinois and Ohio. It’s like a big C until we have the homecoming in late July.

What’s the status of your next release? You mentioned to me a while ago that you might re-release The Sixes with bonus tracks.

Right. We’re actually in the process of tracking acoustic versions of the songs. One thing that people don’t know—or that people who have caught on recently wouldn’t know—is that [the band] started initially with [singer Matt Paul] and me acoustic. We’ve done a couple shows like that.

We did a show at Bergen PAC with just Matt and me acoustic, opening up for Ed Kowalczyk. We weren’t sure at first how the songs were going to translate in an acoustic setting and it ended up being great. So we thought it’d be awesome to do an acoustic EP type of thing. But I didn’t really want to do an acoustic EP and suddenly make The Sixes an old thing, like the “old record.” So we thought we’ll just do a couple songs off the record acoustic and then do a digital re-release.

I’m not a big fan of re-releases in general. They kind of feel sometimes like they’re a cash grab. But in this day of iTunes, you don’t necessarily have to do an album-only thing. But people who already have the record and want the new songs, they can just go and get those songs. That’s the beauty of the digital age.

So we’re looking to do that. We’re going to release some new tracks with The Sixes to coincide with the tour. We have that Kickstarter thing going and one of the things we’re planning is that we’ll do a covers EP, just acoustic covers. And we’re looking to do that when we get back. We’ve been writing too, so then we’ll think about pre-production for the new record.

How many songs did you end up writing for The Sixes? You strike me as a guy who has tons of riffs and songs lying around just waiting to be completed.

Yeah, we had a bunch of stuff. We probably had anywhere between nine or 12 songs that we wrote strictly for The Sixes. We had some old songs lying around too.

When we did the first record [Across State Lines, 2010], it was more of a collaboration between Matt and me. Then as the full band started playing together, we started coming up with ideas as a group. So we didn’t want to grab those old ideas [from Matt and me] and redo them. We had this writing period where we weren’t really playing out, but we were focusing on writing. Then we started demoing that material and giving it to [producer Clint Lowery].

There were some ideas that he thought needed a little bit more tender love and care, and then others where he had some ideas. So I would say, from nine or 12 songs, we narrowed it down to [the six tracks] that ended up being on The Sixes.

Do you think any of those songs will show up on a future record?

I would say there’s a lot of stuff there that I love, but working with Clint, we learned a lot. We took, in my opinion, a really big step creatively for us. We’re not reinventing the wheel or anything, but what Clint was able to pull out of us I’ll never forget.

Even the new stuff that we’ve been writing feels different. We’re using those learning experiences and those hints and things we learned from Clint, from just talking and working with him, on the new material.

So I’m not sure that the stuff we wrote before doing The Sixes would make a new record because that seems like the record that would have fallen in between The Sixes and Across State Lines. We don’t want to take that step back; we want to keep pushing ourselves creatively. We want to outdo the last record. It would be silly to go back at this moment.

Why did you name the tour after the song “Leave The Light On?”

We talked about hitting all these different areas we’ve never been. This is our first tour and we want to make an impression on the people that we do encounter on the road. “Leave The Light On” was kind of a metaphor for leaving an impression on who it is that we meet out on the road and who it is that we play in front of. Hopefully it means the same to the people we meet along the way.

Is there one moment at those Architekt sessions with Clint that comes to mind as a paradigm shifting moment for you or the band?

I think it was just being in the room and the times when Clint was in the room with us. There were a couple times he strapped on a guitar. It was like, “Wow, Clint Lowery is jamming on our songs with us.” That was a holy crap moment.

I’ve had the feeling before when listening to songs by other bands where something about it gives you goose bumps. I always said I don’t think I’ll ever feel that way about a song that I wrote because I watched it grow. By the time a song I wrote is done, I’ve seen all the imperfections along the way.

But when I heard The Sixes after [engineer Mike Ferretti] mixed it and gave it to us, it was that feeling. That was very special personally.

One thing I noticed recently when listening to the two records is that there aren’t really any guitar solos on The Sixes. What was the reason for that?

I’ve never been a shredder. My favorite guitar players are people like David Gilmour from Pink Floyd and The Edge from U2, who use a lot of different chord phrasing or layering. So I think I kind of took a little from them. I was just focused more on layering of guitars and how [multiple tracks] play off one another. There’s a brief solo at the end of “Turning A Blind Eye.” On “Leave The Light On” there was a solo, but we were changing some vocals around and we ended up putting a quasi-last chorus over the lead guitar track, so it sounds like I’m noodling a little beneath Matt’s vocal. I play that solo live; we do an extended version of that song.

Were you also thinking about what you can do live?

I’ve had countless conversations where people have said, “If you can’t do it live, don’t do it in the studio.” And I completely disagree. Imagine all the incredible music we’d be missing if all the four-piece bands in history only recorded one guitar track. I think there’s a time and place for everything, and in the studio I’m totally okay with any instrument being layered to that extent.

When we’re writing a song, at the very primitive stage, we’re doing it in a room with three or four guys. It’s working in that way. It’s working as a three or four-piece. So I know that later on, when you play it live, you can find a way to get that song across without all the extra ear candy that might be on record.

I’ve seen it done over the years. And sometimes people might want to go to the show and hear things exactly how they are on record, and I appreciate that, but I also think that if you’re going to go and basically just hear a louder version of what’s on record, it’s not as special.

If doing it live means the challenge of trying to make it work, we’ll make it work.

Dead Fish Handshake’s latest EP, The Sixes, is available on iTunes and through the band’s website. They play Architekt Music in Butler, NJ, on July 27. For more information, go to

message from Matthew

Haven’t been here in awhile…Just thought I’d give a little update on what’s going on in DFH…

If you didn’t know, it’s been a year since the official release of “The Sixes”. So, to coincide with that, we are celebrating by releasing a digital only deluxe version that will include a few acoustic versions of previously released songs. Just got out of the studio doing vocals on these versions and it’s just really cool to hear them like this. I’ve sung these songs a thousand times but I love what we did with them stripped down. Hopefully you will too. Should be out for sale in a few weeks.

So what’s next…well, needless to say, we can’t wait for this tour. First up…Florida. We are so lucky to have this opportunity to tour. It’s weird because I haven’t given myself a chance to enjoy it yet. I know that sounds strange but if you know me well it makes perfect sense. It’s been so hard getting everything together to do this right. Not complaining. But it definitely drains you. We need to thank all of you everywhere for doing what you do to help us out. Whether it’s by sharing a link, giving us a place to sleep, or the gifts we’ve received, or by donating to our Kickstarter fund, we are just grateful for all the random acts of kindness. It’s very encouraging at times when we thought we weren’t gonna be able to pull everything off. So that it I guess…airport is calling my name.

I’m looking forward to the shows and keeping up with everyone over the next month. Hope to see you all at some point along the way. There are some things to look forward to after the tour as well…We’ll be releasing a new song and an acoustic covers EP. They are both included right now as rewards on our fundraiser when you donate. And for what’s it worth to anyone this early, we have already begun writing for the next DFH record.

So thanks again for the momentum everyone. We love ya! -MP

Dead Fish Handshake – Leave the Light On: Hurricane Sandy Benefit

On October 29th, Hurricane Sandy hit the northeast US, including our home-state of New Jersey. So many people affected in so many ways.

We, in Dead Fish Handshake, wanted to be able to give back and help in any way possible. All proceeds from this release will be donated to help those residents who’ve endured so much loss and pain.

All (100%) proceeds of Dead Fish Handshake’s “Leave the Light On” benefit The Monmouth County Food Bank.

To donate through purchase of our song, click below:

Dead Fish Handshake: A Firm Grip on Music

A couple weeks ago, Matthew had a chat with Shanna over at NY Social Status. Read the interview here:

There is absolutely nothing more powerful in this world than music. It can draw people together, influence behavior, heal pain; the abilities of music are endless. With such an amazing power in their hands, musicians are in a much more significant position than they often realize. Dead Fish Handshake vocalist, Matt Paul has no trouble recognizing the impact music can have on its audience and is keen to ensure that his music leaves a good impression.

“I’m not trying to preach to anyone,” Paul explains. “The things I talk about in my lyrics are things that I’ve gone through. While the topics may be a little on the depressing side, the message is just to let people know that there’s somebody else who’s gone through what they may not be able to express. Hopefully as a singer I’m in a place where I can give their feelings some words. That, to me, is the best thing about music.”

It’s easy to understand why this is Paul’s favorite thing about music, but when it comes to Dead Fish Handshake, there is oh, so much more to admire. Composed of a collection of members from other bands in the area, Dead Fish Handshake is an effective combination of a variety of influences and excellent musicians with a message for their listeners.

Photo credit to

“In this band, it’s funny, individually, we’re all into such different bands,” Paul explains. “We’re all on different platforms, and when we put those genres together I guess you get Dead Fish Handshake.”

The music industry couldn’t have asked for a better combination. The DFH sound is a healthy blend of old school rock and decade influences underscored by soulfully written lyrics that simultaneously expose band members and embrace fans. Like any good musical group, DFH has witnessed the growth of their sound into the perfect blend of their individual interests.

“We wanted to have heavy aspects, but we’re also fans of acoustic, electric, classic rock, soul music,” Paul explains. “I think we’re still defining that sound. If you go to the first album, those songs were written acoustic and we built them up to make the rock songs you hear on the record. A lot of those songs touched on a lot of different sounds.”

As a result of their hard work, dedication and production work with rock staple, SevendustClint Lowery, the boys from Dead Fish Handshake have just released a new album that captures their sound much more accurately.

“Clint brought the intensity of Sevendust to Dead Fish Handshake but let us be ourselves,” Paul notes. “When you’re inspired by people, you take things from them, and what was cool was that Clint let me keep what I was influenced by, what I was inspired by, but he kinda brought my own voice out of me. With The Sixes we finally created the DFH sound. As far as what our sound is, we’re not reinventing the wheel by any means, but hopefully we’re re-injecting some life into a genre of music that’s taken a lot of heat lately.”

Beneath all the effort and growth Dead Fish Handshake has experienced, the message of their music remains one of the most important aspects of what they do as a band, and their combined forces couldn’t be more perfect for such a mission.

“Mark and Darren, being the rhythm section, they’re what gives it life. They’re the heartbeat,” Paul says. “They’re there to give that emotion, that idea that Rob and I have, life. I’m a guy who writes introspectively. I pull from things I’ve gone through in my life. There are a lot of heavy topics, like suicide, low self-esteem, things like that. They’re just things I’ve gone through myself, and this record was an outlet. I’ve had a lot of heartache in my life. We’re not an emo band, but I do think music should be powerful and there should be emotion behind what you do. Hopefully the topics, while they focus on a darker side of life, it’s letting people know that they’re not alone.”

Perhaps one of the most amazing aspects of the DFH process is the cathartic and therapeutic effect the creation of music has on the band members themselves.

“You start out writing these songs for you,” Paul admits. “I wrote these songs to help myself. I never in my wildest dreams thought there would be people out there who took comfort from it. One of the things I truly love is interacting with fans. Music aside, I love meeting fans. That’s something I always make it a point to do. They give meaning to that stage. That’s pretty much my therapy. What they do for me is giving me that opportunity and helping me cope. When I go out and sing, in a lot of ways I’m bleeding out those things, and I need that as a human. I hope that when people come see that they maybe sense that, but in a positive way.”

The purpose behind Dead Fish Handshake is a testament to why music is so incredibly powerful, and why it is such an integral part of our lives. We are all human, and we feel so many things. So often, all we’re searching for is someone who understands those feelings.

“Everybody’s problems are all relative,” Paul says. “It’s based on what you’ve gone through individually. I think as a society, we don’t all have enough love for one another. That’s evident. If there’s anything observational in my music, that’s a big one. As beautiful as something like love can be, music can be just as beautiful. The best thing about music: it’s a timeline for what you’ve been through. Everybody needs that time to reflect or to re-evaluate.”

In line with this message and the idea that society should help, not hurt, one another, Dead Fish Handshake is participating in a benefit concert for Students Against Being Bullied on November 16 at Asbury Park’s Stone Pony. Just a few days after their upcoming November 14 showwith Hurt and Smile Empty Soul, DFH will join musician Apryl Evans to raise awareness of bullying in school and the devastating effect it can have.

In an era where mainstream music is focused on partying, physical appearance and meaningless sex, Dead Fish Handshake is a welcome respite and reminder of the impact music can and should have and the undeniable influence it has on everyone involved. Thank God for Dead Fish Handshake.

DFH on WDHA Home Grown Spotlight.

Matthew & Rob stopped by the WDHA radio station in NJ a couple of weeks ago to talk about the new record and a quick in-studio performance of “Turning a Blind Eye”.

Read what Lindsay Klein had to say here.

And watch the performance:

Interview segment:

Rob talks “Turning a Blind Eye” on antiMUSIC.

DFH guitarist, Rob Ferreira, gives a little insight on “Turning a Blind Eye” forthe latest edition of’s ‘Singled Out’.

Today Dead Fish Handshake guitarist Rob Ferreira tells us about the lead single, “Turning A Blind Eye” off their latest album, “The Sixes,” which was produced by Clint Lowery (Sevendust, Call Me No One). Here is the story:

After last year’s “Across State Lines”, it was time to start thinking about a new record and as we compiled a song-list of both new and existing songs, “Turning a Blind Eye” was one of those ideas that came together in the later days of writing and immediately became a band favorite. The end result is slightly different than the arrangement we went into the studio with. Credit to Mr. Clint Lowery (Sevendust, Call Me No One). Working with Clint was an incredibly rewarding experience. We’re a band that prides itself on not only finding the right balance of song and melody but doing it in different ways each time. That was the main focus of this new record. “Turning A Blind Eye” exemplifies that intent. With its infectious chorus, we thought it’d be a great first single to bridge lyrical substance and hook sensibility.

Lyrically, the song can be interpreted in a few different ways. It’s one of those fascinating things about music – it’s all relative to the listener and their life stories. Essentially, the song addresses that age-old topic of ‘ignorance is bliss’, what it means and how it’s experienced. The failure to seize that defining moment that’s presented in front of you as a result of unintentionally ‘turning a blind eye’ is an occurrence that we’ve all experienced at one time or another in our lives. They say that being none the wiser about our surroundings may sometimes be beneficial. But is it really? The passing of missed opportunities can sometimes make all the difference in our worlds. It could mean the difference between refinement or confinement. Arguably, what you don’t know can’t hurt you, right? But is that so or is it just an excuse to be less involved with important matters that shape our future? And does that shunning behavior contribute to our metaphorical nightmares or are we content turning a blind eye? It’s a topic that you can talk in great lengths about. Sometimes all you need is a 3 minute song to set the table for hours of contemplation.

Hearing is believing. Now that you know the story behind the song, listen for yourself and learn more about the album right here!

Interview with Matthew Paul

Earlier today, Matthew chatted with Dennis over at DHAP about the latest record, upcoming shows and what the future holds for Dead Fish Handshake. Listen here:

In-studio performance

Matthew & Rob - live in-studio - WDHA 105.5FM

Earlier this afternoon, Matthew & Rob stopped in the WDHA studios in New Jersey to chat about the recently released record, “The Sixes” and jammed out to a couple acoustic versions of “Turning a Blind Eye” and “Leave The Light On”. Thanks to Lindsay Klein and all the fine folk over at WDHA. Keep an eye out for a video in the near future.

More lyrical insight from Matthew…

“LifeSpan” is a song that deals with the topic of suicide and how much one can take throughout their life before they are faced with the decision of whether they can go on or not . Its about the resiliency a person can demonstrate through constant disappointment. Holding onto the most faint glimmers of hope until you finally just reach down as deep as possible and give yourself a way out on your own. Nobody will look out for you the way you look out for yourself. Your life is in your own hands at all times.”Holding on I breathe for comfort/ Need the light ahead/ So go on and drop the loaded gun/ The time has come to give yourself a way”.

“Turning a Blind Eye” is a song written for the saying “Ignorance is Bliss”. But bliss is all relative depending upon whos eyes its being seen through. If your eyes arent open on the road of life then you are headed for a head-on collision with yourself. “A warning sign/Like a traffic light/ From green to yellow then turns red again/ Im reticent by accident/ When all your thoughts, they all just started crashing down/ We all will fall sometimes”. For all the attention seekers out there who constantly make regrettable decisions, more often than not someone turns their eyes to them. For those who shoulder their own burdens and suffer quietly, they are the ones left waiting and the recipients of a blind eye. To all who try to do the right thing but always feel alone, this song is for you.

“Leave The Light On” is pretty self-explanatory


Hitting the road…

We’re hitting the road to promote “The Sixes” are very excited to add that we’ll be opening for eOne recording artist, Saving Abel, on Friday, September 28th at the Starland Ballroom in Sayreville, NJ. This show is a “low-dough” show presented by 105.5 WDHA and 95.9 WRAT. Tickets: $10.50 are available through our DFH store:

Ticket Link:

Dead Fish Handshake & Saving Abel

Matthew Paul speaks about the lyrical content on “The Sixes”

Re: E-Motionless
“We don’t give out enough song meanings, so just thought I’d explain and put some questions to rest. This was a song written around the feeling of emotional paralysis between two people who are afraid to communicate and how it translates to the physical breakdown of someone. “E-motionless” is obviously a hybrid word of emotion and motionless. The “E” stands for “eternally” and is a reference to the cold communication of today’s technology. This all can be summed up in the lyric:

Nobody move, no body moved
I’m motionless/
Nobody move, no body moved

Re: “Recquiescat” / “The Blackest Skies”
“Recquiescat in Pace” is latin for “Rest In Peace” so that seemed like a fitting title as an intro to “The Blackest Skies”. The Blackest Skies is a reference to being buried alive where obviously the only thing you can see above you is the dark inside of your proverbial coffin. That small imaginary space holds all the stress and pressures of everyday life that seem so heavy and burdensome. Though the lyrics deal with dark undertones there is small message of positivity at the end of the chorus that is a direct contrast to the feeling of hopelessness demonstrated in the song. What doesn’t kill you makes you stronger.

Death will take forever
Lie in patience, until its time
Because this stress is heavy,
Tonight I’m buried, Underneath the blackest skies,
But still alive

Enjoy. Now you know.


Ladies and gentlemen, presenting THE SIXES – the new Dead Fish Handshake EP.

Our new record has arrived. Please pick it up and enjoy! We’re incredibly proud of our work on this record – from the opportunity to work with Clint Lowery and the amazing team at Architekt Music to everyone that helped make this record come true, we thank you. It’s finally a reality.

DFH Store:
CD Baby:

New DFH Merch

We have some new merch rolling in to coincide with the release of our new record. These will be available through the DFH Store very soon. Here is the “E-Motionless” shirt for him and “E-Motionless” tank for her, along with the all new “The Sixes” poster.

“Turning a Blind Eye” now available for purchase.

“Turning a Blind Eye” is finally available for sale.

Purchase it here: (more links to follow)


We’ve said it before and we’ll say it again…we are so very proud of these songs. The whole experience of making this record was an incredible journey and we’ve had an amazing team behind us since day one. Thanks to everyone who helped us along with your support. As you will hear upon its release, “The Sixes” expands the DFH sound set in place on our first record. We loved making it and hope you love listening to it.

Turning A Blind Eye has arrived.

Hey all, the wait is over. Here is the lead single off our new record.
It’s called “Turning A Blind Eye”.
We hope you love it.

CD Release Events

The weekend of June 1st, we are celebrating the release of The Sixes, our second record. On 06.01.12 we’ll be at Dusk in Providence and back in NJ the following night at Architekt Music in Butler, NJ, the same establishment we recorded these songs.

Please save the date. Tickets are available for purchase here:

Hope to see you there.

The Sixes – Coming 06.06.12

This June, we’ll be releasing our new record, “The Sixes”.
We’re celebrating the release with a special show in Providence, RI on June 1st at a small intimate venue called Dusk. (see Tour for info). The official release date for the record is 06.06.12, but we will have copies on hand at the show. Please save the date if you’re in the area.

We’re hoping to have a NJ counterpart to the release celebration. Stay tuned.

The Sixes update

Hey all,

Hope everyone had a good weekend. Here’s a quick update on “The Sixes”. It’s all mixed with very minor tweaks to go.
Six tracks in total:

1. Turning a Blind Eye
2. E-Motionless
3. Recquiescat
4. The Blackest Skies
5. Lifespan
6. Leave The Light On

We are sending the mixes to West West Side Music to get mastered later this week with hopes of having the record out by the first week of June. There are busy schedules all around, so we’re doing our best trying to get everything lined up including a CD release show, possible CD listening party, etc.

Our lead single, ‘”Turning A Blind Eye” will drop early May. Keep an eye out for it (pun intended).
We’re really excited for this record’s release and if you were a DFH fan before, we promise you’ll love it.
Thanks for your support.
See you all soon.


The Sixes trailer

Here’s a little clip of what’s in store this Summer.

A week later…..

Well, it’s been a little over a week since we wrapped up tracking for the 2nd Dead Fish Handshake record, and I am as stoked now as I was a week ago. With the help of the production team, we turned 5 songs into radio gold, and I can’t wait for the fans to hear what I hope will top the first record. There will be some teasers coming out with some samples of songs and we will perform a few live in upcoming shows. As a group, we are all very proud of this and hope you feel the same.


The Sixes are tracked

So for just under a week, we were holed up in the wonderful studios at Architekt Music with none other than Clint Lowery of Sevendust tracking our second record, “The Sixes”. What an experience! We posted some video blogs on our Youtube page, which you can view by going to

We went into the studio with several tunes and came out with 5 of the best songs we’ve written:

“Turning A Blind Eye”
“The Blackest Skies”
“Leave The Light On”

These songs evolved and matured so much in just a few short days that I wish we were pumping out a whole full length album’s worth.

Up next is the mixing stage. We have an incredible team working with us and we can’t wait for you all to share in the listening experience.
Thanks for your patience and support.
In the meantime, this is what the album artwork looks like:

Dead Fish Handshake - The Sixes







See you soon.

Let the good times roll.

Tomorrow, we enter the studio to start tracking our new record…the follow up to last year’s “Across State Lines”.
We’ve titled the EP, “The Sixes” and hope to release it late spring/early summer.

We’re super excited to hear these songs come to life in the studio. We have several that are fighting each other for the chance of making the record. Not to mention that working with Clint Lowery will be an awesome experience and opportunity.

We just recently did a little photoshoot and are working with the very talented Paul Guzzo on the artwork and design. So many fantastic things are happening, but most of all, we’re looking forward to seeing you all on the road and jamming these songs out in a live setting for you all to hear.

Keep your eyes out for some studio updates, pics and vids.

…til then.